Doctoral lesson by Piersandra Di Matteo, IUAV University
March 22, 2021, 16:00 pm
In the last two decades, curatorship in the field of performing arts has established itself internationally as an important junction in the affirmation of new paradigms for the scene, in the definition of thought practices, discursive devices, production of contexts, spatiality and temporality outside the classic scheme of exclusive show programming.
In her speech, Piersandra Di Matteo proposes a survey of the international debate, reflections on operational horizons, collective curatorial processes, contexts of production and exchange of knowledge rooted in experience, which guide the definition of unprecedented contexts of interaction, forms of spectatoriality, relationships critics with institutions, dynamics of relationship with urban life, pedagogical contexts devoted to rethinking the canonical forms of knowledge and its modes of transmission.
Google Meet link: https://meet.google.com/jru-kupw-yuq
Piersandra Di Matteo, scholar, dramaturg and curator in the field of performing arts. He conducts research at the Iuav University of Venice, where he teaches Curating of the Performing Arts. He has held conferences and seminars in numerous research centers and universities, among others The School of Creative Media / Hong Kong; La Salle College of the Arts / Singapore; Shanghai Theater Academy; SNDO and DAS Theater / Amsterdam; MITsp / San Paolo, Italian Academy / Columbia University; Penn University / Philadelphia. For many years she has been the closest theoretical collaborator of Romeo Castellucci. He currently collaborates as a dramaturg also with the Argentine director Lola Arias. She curated for Ert Atlas of Transitions Biennale (2018-2020), she is currently the artistic director of Short Theater in Rome.