Thesis title: Representation of Italian-influenced Eclectic architecture in Egypt: in the late 19th century and early 20th century (Modern Egypt).
The Thesis investigates the representation of Italian-influenced Eclectic Architecture in Egypt during the late 19th and early 20th centuries, focusing on its tangible architectural aspects and cultural implications. The study aims to understand how the Italian architectural language was adapted, reinterpreted, and integrated into the Egyptian context, forming a unique hybrid identity that reflects the broader socio-cultural exchanges between Italy and Egypt during this period.
Grounded in methodology of Graphic Analysis following Mario Docci’s and other scholars' methodologies, the research develops a structured framework that examines Eclectic Architecture through five main aspects: contextual, functional, formal, spatial, and structural analysis. Each aspect is applied to selected case studies to reveal the design logic, stylistic synthesis, and material expressions that characterize Italian Eclectic influence in Egypt.
Methodologically, the study integrates digital documentation and representation techniques, including 3D modelling, photogrammetry, and LiDAR scanning, to enhance the comprehension, communication, and valorisation of cultural heritage. By employing these technologies, the research not only documents architectural forms but also demonstrates how digital models can serve as interactive tools for heritage interpretation and dissemination.
Ultimately, the thesis contributes to building a cultural bridge between Italy and Egypt, highlighting the value of cross-cultural architectural dialogue and proposing digital representation as a means to preserve, communicate, and revalorize Eclectic heritage.