Research: Relations and exchanges between the visual arts and 'industrial culture'. The cases of France and Italy from the end of the Second World War to 1968
In 2017 she obtained her Bachelor of Arts (BA) in Historical-Artistic Studies at the University of Rome "La Sapienza" with honours, with a thesis entitled Artisti per “Civiltà delle Macchine” nella collezione di Vincenzo e Carmela Sinisgalli under the direction of Prof. Antonella Sbrilli.
In 2019, she obtained her museology diploma at the École du Louvre in Paris with a mémoire in collaboration with the Bibliothèque Kandinsky of the MNAM-Centre Pompidou under the direction of Mme. Mica Gherghescu and M. Didier Schulmann. At the same grande école she concluded the master's cycle in 2020 with a research project devoted to the Paris Biennale during the 1970s directed by Mme Elitza Dunguerova and Mme Mica Gherghescu.
Since 2021 she has been a doctoral student at the Sorbonne Université - Paris IV and since 2023 at "La Sapienza" under the joint direction of Prof. Antonella Sbrilli and Mme Valérie Mavridorakis. The study concerns the history of industrial patronage in Italy and France from the end of the Second World War to 1968.
Between 2019 and 2021, she was a member of the scientific team of the Institut national d’Histoire de l’art in Paris programme “1959-1985, au prisme de la Biennale de Paris” and assistant curator of the archival exhibition dedicated to the biennial in collaboration with the Bibliothèque Kandinsky and the Archives de la critique d’art in Rennes at the Centre Pompidou.
Since 2022 she has been teaching history and theory of art at the Université de Nantes, Université Paris 1 Panthéon-Sorbonne and Université Gustave Eiffel.
In 2024, she is fellow at the École française de Rome.