Phd in MUSIC AND PERFORMING ARTS

email: marta.marchetti@uniroma1.it
phone: (+39) 06 49911
building: Lettere
room: Studio 4

Marta Marchetti, after graduating in History of Theatre at the University La Sapienza in Rome, received her PhD in Logos e Rappresentazione (Comparative Section: Literature, Cinema and Theatre) at the University of Siena. Her research focuses on the history of European theatre from the modern to the contemporary era, on the analysis of live performances and on the processes of novelisation of the theatre. Among her publications are the books: Camus e Dostoevsky. Il romanzo sulla scena (Bulzoni, 2008) e Guardare il romanzo : Luca Ronconi e le parole in scena (Rubbettino 2016). She has written articles and essays including: Luchino Visconti, la regia e il teatro di Dostoevskij, (Studi - e testi- italiani 2016); La théâtralité scandaleuse de Carmelo Bene au Teatro Laboratorio, Fabula / Les colloques, Théâtre et scandale; Vincenzo Torraca e una nuova storia per il Teatro Eliseo (Studi e testi Italiani, Bulzoni 2018): Cristo ’63 di Carmelo Bene. Omaggio a Joyce(«Acting Archives» 2019); The Journey of the Mute Frankenstein of Thomas Potter Cooke: Towards a Language of a New Science («Medicina nei secoli. Arte e Scienza» 2019); La Pamela de Carlo Goldoni et l’écriture du roman mis en scène (European Drama and Performance studies, 2017); Albert Camus e il teatro di un uomo in rivolta (Comunicazioni sociali, 2019). She translated and edited the Italian version of Anne Ubersfeld, Leggere lo spettacolo (Carocci 2008) and Jacques Copeau, La messinscena de Le furberie di Scapino. Note di regia(Bulzoni 2017). She is part of the local unit of the research project "F-ACTOR Forms of Contemporary Media Professional Acting. Training, Recruitment and Management, Social Discourses in Italy (2000-2020)" (Prin 2019; PI: Francesco Pitassio Università di Udine; coordinatore unità locale Sapienza: E. Morreale). She is the head investigator of a research project: Regia teatrale e romanzo. Aspetti metodologici, questioni storiografiche e analisi dello spettacolo. In 2019 she is visiting professor at Sorbonne University (Istitut des études théâtrales).