Titolo della tesi: Různé podoby poetiky každodennosti v české literatuře od druhé poloviny 20. století do současnosti
This doctoral thesis focuses on the different forms that the poetics of everyday life takes in Czech poetry from the second half of the 20th century to contemporary times. This is a central phenomenon in the development of modern and contemporary Czech poetry, which finds its primary origins in the experience of Group 42. However, in addition to the literary current of Group 42, the poetics of total realism will also be included as an aesthetic premise in this work: these are two experiences that are inseparable from this work and will significantly influence the work of the poets chosen to be analysed here. The object of study will therefore be the particular poetics of the everyday by Jan Skácel, Ivan Wernisch and Petr Hruška. In particular, the production of Skácel and Wernisch will be considered from the 1970s onwards, thus from the period of normalisation in which both were censored. The method used here is the analysis of the poetic texts, framed in their context. Through this analysis it will be shown how, although certain expressive affinities can be detected and the tendency towards the everyday is common, the stylistic means of its representation are very different. These poetic worlds are close yet distant from each other, and in each of them the poetics of the everyday takes on its own specific and recognisable form.
A kind of small phenomenology of the everyday is proposed here.